Friday, November 12, 2010

秋夜 [autumnal night] 

yes, the mastering of brasileiro is completed in hong kong and we are ready to let you listen to some songs!

let's us introduce you to the first song in the brasileiro album : autumnal night, a classic of bai guang. [look to the panel on the right, click the play icon and you are on!]

before we even talk about how zyan tackles this song, let's credit the arranger, maestro salvador guerzo, for his masterful work. there is a story to this arrangement. ador initially did a brilliant big-band arrangement which had us screaming in joy, but due to the need of having 8 musicians and the associated costs, we asked ador to redo another version, which is the one you are listening now.

ador employed "a double bossa" arrangement style which gives the song a very rhythmic foundation that will make the listener sway with the music. the acoustic guitar intro, played by nick from aswara, is quite a magical intro. pay attention to ador's brilliant saxophone solo (sorry, it is not found in this edited version, you have to get the album la!) , this alone is worth the price of admission! ador's sax has the burnish tone similar to sax legend stan getz (that's why many regard ador as the stan getz of malaysia!) the tone is intoxicating and sensuous to the ears. not many sax players can blow like this, we assure you.

another signature and brilliant style of ador's arrangement (fans of ador would know this!) is the attack. the attack adds drama and contrast to the song. coupled with rizal soliano's dynamic drumming, this attack is very evident in many passages in the song. ador uses even more dramatic attacks in the solianos "pusaka" album. only arrangers of great skills can devise attacks in the arrangement, this we can assure you.

those who love tay cher siang in jz8 album will be even more impressed with his playing in this album. cher siang plays less and more sensitive, it is obvious that bossa nova is right up his alley. many have commented that cher siang's playing is true virtuoso, world-class standards. listen to his piano in this track and you would agree. in fact, cher siang's piano is the one of the main selling points of this album.

our bossa princess has a way with oldies, despite her age. she sings with a deep tone that oozes maturity and sex appeal. there was once she sang this song at a function and an auntie came to the stage and praised her profusely!

stefano, the producer, wanted zyan to maintain a rhythmic sway while delivering this song. it is a sweet song about longings. zyan sings it with an ease and confidence that is positively convincing. we definitely could feel zyan's sweetness and happiness in her voice.

recording wise, this is also one of the best recorded tracks in the album.

with all these reasons, we made it the first song in the album!

next week, we would premier another song, a local composition titled "romance in the rain" 【灑灑雨】, a great bossa nova ditty that truly carries the brazilian vibes....

stay tuned!

6 comments:

  1. Brilliant work!!!! Love this song even im not from this generation~~~

    Cheers Leslie!!

    ~Josh~

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  2. Bravo! Can't wait to get my hands on the CD. Well done!

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  3. I certainly didn't expect Zyan's voice to be so awesome! It sounded as if her voice came out of a time capsule. WOW! I thought it was going to sound like Olivia Ong, or some other current singers' voice.

    How Olivia (and Emi Fujita) came to be regarded as audiophile... is beyond my comprehension. Their voices sound sterile, lacking in dynamics and strained when pushed. Judging from this song (what more a low bit rate mp3), Zyan is easily many times better.

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  4. hi yuan

    thanks for the compliments!

    female vocalist is a contentious issue so we dare not honor the compliments too much...

    fact is olivia is good to look at and with a sweet voice like hers, it is very easy to impress. zyan is also like that. to appreciate her, you have to take it as a total package: both aural and visual.

    in this album, we pushed zyan to the limit in order for her to produce a wide variety of tones and vocal textures to suit the different mood of the songs. in the next song we will be introducing, she sings in a child-woman playfulness which is very different from the nostalgic feel of autumnal night.

    if anything, we succeeded in producing a wide tonal palette from zyan and the audience can easily discover that in the album.

    certainly your kind comments will make the princess very happy!

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  5. Some trivia about Bai Guang which I stumbled upon =)...
    "There’s an electric piano on her gravesite in Kuala Lumpur [Semenyih, actually], and it plays her music each time you touch the keys."
    ( http://ecentral.my/news/story.asp?file=/2009/12/5/soundnstage/5225774&sec=soundnstage )

    ML, I LOL at your response! =P

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  6. yuan

    yup, i know. bai guang spent her last years in malaysia. she was one of the best shanghai divas of her time.

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