hot from amcorp mall: prudence liew mei kuan's "love addict" cover album.
ok, we would admit: this is a reasonably good album; prudence put a lot of efforts; a lot of money is spent on production etc. etc.
but why is it that we are not as moved as when we listened to wakin's cover album "diva"?
it didn't take us long to find the reason: the song selections.
maybe prudence wanted extremely mainstream mandarin pop and it happens that we don't like extremely mainstream mandarin pop. the songs here are super karaoke-friendly stuff that are so immortal that they are not easy to emulate or to be sung better by other cover singers. to do that, you may need stellar and unconventional producer like china's zhang ya dong (faye wong's ex-producer) and a superbly versatile singer like karen mok.
not that prudence didn't sing well but most of the times, we prefer the original singers, except for qi qin "yuan lai de wo" and harlem yu "lao she qing ge" which prudence really made them her own and stamped her signature all over. the arrangement is also at odds with some of the songs, proving once again it is not easy for pop producers to do bona-fide jazz or big band., unlike prudence's previous audiophile album, "salute deux", which boasts supreme arrangement and musical stylistics.
another observation: prudence is a great singer who likes to improvise, play, tease, flirt, ad-lib, and sing differently with her unique style (once again, please check her superb audiophile album "salute deux" covering songs by danny chan), asking her to sing a serious ballad like angus tung an ge's classic "qi shi ni bu dong wo de xin) does not quite capitalize on her strength.
it is obvious that prudence and her production team is ambitious hence the bold arrangement, top-notch producer (bill wang, joanna wang's father) and big band back-up. it works sometimes and it does not work sometimes. unlike wakin's straight forward delivery that touches the heart so easily, prudence's efforts come off as a bit deliberate and intentional.
to us, this album is good but it loses out to "salute deux" not only in terms of arrangement, musical contents but also in recording quality. "salute" is a class A+ audiophile recording, full of fireworks and sparks.
we would still recommend this album. you are bound to find some songs that appeal to you, after all, the songs here are all classics, albeit overly commercial.
almost forget to mention: the mini concert dvd is good, worth every penny you spend on this cd. prudence is a great live singer. nothing beats the last song in the concert, "jay", her major cantopop hit in the 80s. to us,
that is the true prudence.