Thursday, December 29, 2011

越来越夯 [getting awesome]

We are too busy to get married


winnie ho starting her vocal recording for her debut solo album, to be released in feb 14th, 2012 
you know what i concluded last night: TV (whether it is 3-D or whatnot) and home theatre systems are going to be a thing of the past in a few years' time.

because i discovered PPS (online streaming of movies) on my ipad!

imaging snugging on your bed (best if you have a loved one), munching twisties or sipping red wine (whatever the occasion demands) and watching a movie in the best posture and most comfy environment! i don't know about you, starting today, my AV system is gonna collect dust. and btw, the pps apps was installed by my 12-year-old niece without me knowing. she knows more than i do about how to extract the best from my ipad, for sure.

there's a cliche: the only constant is change, and in this super-advance days of technology, things are moving lightning fast. one blink of an eye, things have changed or moved past you. having said that, i don't mean we have to be the slave of technology. i, for one, still haven't can't quite come to terms with CAS (computer as source). i think readers know my resistance on this aspect of technology, so i need not explain again.

now, the key point of this post. 2011 is best remembered as a year we moved away from CD selling and production. or more correctly, we stopped relying on CD sales as a main source of revenue.

also, we are putting much less emphasis on "audiophile" quality of our music, because we don't want to be constrained by the limited scope and seriously, our core supporters/ fan base are pure music lovers who just want good music, not so much concerned about its recording.

suffice to say, this new direction opens up a window of opportunities so vast that we see CDs now as a mere supporting merchandise or a portfolio for our artistes.

winnie ho's debut solo album "the jazzy sounds of teresa teng" will most likely be our only album in 2012 and without revealing too much, it should further unfold many opportunities to pop pop.

it is breath-taking to even think of how we would progress from here.

"everyone i know is getting married or pregnant. we are just getting more awesome".

with the new year unfolding, you guys should be getting more awesome too.... go and pursue your dreams (quit your day job if you need to! just kidding).... happy new year, guys and gals!

Tuesday, December 27, 2011

我接受唔到咯 [i can't accept this]


to praphrase what hong kong comedian wong chou nam likes to say: "ngoh jip sao ng dou loh" (i can't accept this".

this audiophile album of cover versions from chris babida ( a veteran producer) and elisa chan (a veteran hk singer) had me wondering: "are you trying to challenge my limit and tolerance?"

review to come shortly! we will dwell on what we called "deteriorated vocal chord" :-)

bought new RM78, now selling RM60. first come first served!

Monday, December 26, 2011

台湾的爵士女伶 [taiwanese jazz diva macy chen]



you should check this out!

local distributor, new wave, only brought in less than 10 copies and it was sold out, i have to buy from books.com.

we would write more about macy chen in due course... she is something totally different and is about the first chinese jazz singer who successfully melds western jazz stylistics with chinese oldies. we find it really marvelous. 

meanwhile, enjoy this video! it is a revelation.




Thursday, December 22, 2011

精彩的一年 (第一篇) [the fab year that was (part 1)]

the one that started it all: the first concert of the jazzy sounds of teresa teng
the one that made history: 1,000 pax concert in melaka 
the event company that does wonders to our production: ideamatrix production
the one that made it happen in melaka: mr. edmond liau
the chief artistic "culprit" who made it work for pop pop music 
the usual suspects who stamped their marks all over on local chinese jazz scene
the one who impressed all and sundry: the dawn of winnie ho 
有一些光辉不是说特意的制造 它是需要时间酝酿和累积的 时间到了 它就会发光发热. 献给我的战友们: 泽相, 芸妮, 欣彦, 翠玲, 阿虫, 雅雅,Chris  和 Roger Wang: 2012年你们要继续精彩!

all glories are not purely intentionally created. it is the culmination of guts, hardwork and sheer determination. when the time is right, they would come naturally. dedicated to my comrades in music: tay cher siang, winnie ho, z yan, lydia chew, worm lee, roger wang, yaya sia and chris lam. you guys will be having an even more fabulous year in 2012!

Wednesday, December 21, 2011

邓丽君会唱多少首歌? [how many song is teresa teng going to sing?


with increasing recognition, we have been getting many inquiries from agents... most of these agents are commission based, they have no artistes in their payroll. most of the the times, they just google to get the kind of artistes that their clients want. for example, if they search "chinese jazz in malaysia" they are bound to hit us.

it is always slim getting jobs from agents cos most of the times, they just submit multiple profiles to their clients, and most of the times, the clients engage multiple agents too. so we are not hopeful at all (chance of success is less than 1%) working with agents but we always try to cooperate with them cos it is really a small industry.  

we have encountered this case for more than once: after submitting "the jazzy sounds of teresa teng" profile, they would call back and ask:  

"How many songs is Teresa Teng going to sing?"  

Faint.

Tuesday, December 20, 2011

珍袖小巨人 [the tiny but mighty mini maggie]



having left the hifi scene for close to 3 years now, i am still keeping a tap on the latest, most talked-about, most sensational hifi products in the market.

i am a strong proponent of this brand of speakers called "magneplanar", also affectionately known as "maggie".  it belongs to a category of speakers called the planars and they are normally huge in size thus making it inconvenient for typical malaysian households. 

to cut a long story short, save for a few die-hards like yours truly, maggie wasn't popular in malaysia in the past until some rave reviews from some authoritative gurus in the USA starting this year. all at once, maggie became a hot name in malaysian hifi with the release of a new generation of models. it won't be too far off to call maggie "the hifi speakers of 2011" or to call 2011 "the year of the maggie".

not ready to upgrade my current big maggie to the latest model, so i bought the smallest model of them all: the mini maggie. the reason for my eagerness to buy this speaker is also because it  is a limited edition product and it is so cute and almost cuddly.



mini maggie is every inch a marvel of sound. even fresh from the box, it tells you that it will trash the competition at RM6k a pair. as it breaks in, it unravels a sound that is larger than its physical limit: pristine true ribbon highs, pure and uncoloured mids and a bottom that's tactile and bouncy. most precious of all, it is a seamless sound that is continuous and integrated, not like many mini monitors within this price range. it is, in every sense, a true high end bargain.

i may not dabble in hifi anymore because i enjoy live music (and making it) much much more nowadays but for moments when i need some pure unadulterated good sound, the mini maggie has become some sort of a new found joy for me.

for those with RM6K to spare for a pair of truly high-end speakers and those without the space in the house but wanted high end sound, this is for you. absolutely kick ass.

Monday, December 19, 2011

阿飞正传 [the days of being wild]

 
after the huge success of our tribute to danny chan, we just could not stop but continue to pay another tribute to the hippiest, trendiest, most rebellious, the james dean of the orient, leslie cheung,

mark your calendar: feb 21st and 22nd 2012 at no black tie.

we have lots and lots of ideas how this tribute should be done.

Sunday, December 18, 2011

喜相逢 [the reunion of double take]

roger and mia making music in april
they didn't officially split, they just seldom perform together.

one remains in kk as a celebrity musician, another left for tasmania to pursue her studies.... now she will be coming back to kl for a reunion concert with him in kl......

yes, double take is back for a reunion concert in bentley auditorium on 21st april 2012 and it is hosted by pop pop music!

are you ready? we sure are!

精彩的2012 [exciting dates for 2012]



please note those highlighted in red...
yes, penang we are coming!



here are the dates that you should chart down for next year... if you care for the progress of chinese jazz standards in malaysia.

Date
Concert’s Theme
Main Artistes
21st and 22nd Feb  (No Black Tie)
Tribute to Leslie Cheung
Winnie Ho, Worm Lee,
Jeffrey Lim
14th Feb 2012
Winnie Ho’s Album Launch
Winnie Ho
10th March (Bentley)
When Liu Jia Chang Meets Li Zhong Sheng
Winnie Ho, Worm Lee,
 Jeffrey Lim
16th and 17th March (Penang PAC)
The Jazzy Sounds of Teresa Teng
Winnie Ho, Roger Wang
21st April (Bentley)
An Evening with Double Take
Roger Wang, Mia Palencia
July  (No Black Tie)
Cantopop Hits of the 80s
Winnie Ho, Worm Lee
8th September (Bentley)
The Opulent Sounds of Shanghai
Lydia Chew, Z Yan
November (No Black Tie)
Mandarin pop Hits of the 80s

8th December (Bentley)
The Jazzy Sounds of Teresa Teng (part 2)
Winnie Ho, Roger Wang


a few things to be announced...

1) we would add a horn section if budget permits .this will be great for swing and big band 

2) for concerts in KL, we would revert the ticketing outlets back to CDRAMA due to popular demand

Thursday, December 15, 2011

贬值的音乐 [devaluation of music]

Kids These Days: Spotify, Radiohead, and the Devaluation of Music

The other day I had an epiphany: To the average music consumer, a song is worth less than a candy bar. It might last longer, sound sweeter, and offer a more meaningful experience, but don't ask us to spend more than $1 on it. In fact, we'd prefer you didn't ask us to spend any money at all. That's why we loved Napster, that's why we loved Pandora, and that's why we love Spotify.

Early last summer the popular European digital music service Spotify came to the United States with much blog buzz and fanfare. Boasting a catalog of over 15 million songs, Spotify offers free streaming access to its entire library through any laptop or mobile device. It's ad supported, but subscribers willing to shell out $10 a month can enjoy their playlists without the interruption of advertisements. Not a bad deal for music fans. And at first glance, it's not a bad deal for musicians either. The artist is paid royalties on a per play basis. Everybody wins, right? Not really.

Spotify
Will Baker


Spotify doesn't pay pennies on the dollar, it pays pennies on the penny. Recently, indie label Projekt Records pulled out of its deal with Spotify, citing a minuscule $0.0013-per-play payout as one reason for bailing. In 2010, The Guardian published an article in which author Sam Leith revealed a rather shocking piece of information: In the space of a few months, Lady Gaga's smash hit "Poker Face" received over 1 million streams. She was compensated to the tune of $167.

Spotify has since countered that claim, saying that the number is misleading and refers to the performance and publishing royalties paid to the collecting agency of the song's Swedish co-writer. But $167 sounds absurdly low no matter how you slice it. Of course, one could argue that Lady Gaga and her team don't need the money. Fans argued the same thing after Metallica sued Napster in 2000. When the conflict is framed as a David-and-Goliath showdown between mega-rich rock stars and broke college students, there's little question who will win the fight for the public's sympathy.

But that's not the battle that's being fought. The real victims here are so powerless no one even remembers they exist. When an established band like Radiohead gives away a record for free (as it did with "In Rainbows") it increases exposure, which in turn boosts touring and merchandising revenue. But the vast majority of bands out there aren't Radiohead. They're small, unknown groups with no money or support structure. Sure, they can give away their record. But will anyone notice or care? Probably not. Meanwhile, Radiohead and Spotify are busy teaching us that, as consumers, we aren't responsible for compensating our artists. In fact, we're being conditioned to feel inherently entitled to the fruits of their labor. The amount of time and money the artist has invested is of little concern. If we listen to something, then it is ours. It's a perspective similar to that of a small child who sees a new toy and shouts, "MINE!" He's always been given everything he wants. Why should this be any different?

Many of us like to celebrate the apparent demise of the big, bad record companies as a justification for this behavior. We like to say that their business model is outdated and now they're paying the price. Good riddance, we say. Greedy bastards! But guess what? We've been singing that tune for over a decade, and those greedy record companies are still here. Sure, they're wounded. So they consolidate. They drop artists from their roster. They stop developing young acts. They stop signing new bands. They stop taking risks on anything different or exciting. They dump all their money into the tiny handful of top-grossing acts that keep the label afloat, like Lady Gaga and Metallica. When they do sign anyone, they sign safe bets like American Idol contestants and YouTube child sensations.

The unknown bands are left floundering in cyberspace, hoping in vain that they can amass enough Facebook fans to entice industry folk and get noticed. If they're smart, they tour. But touring is expensive, and since their records aren't selling well at gigs, they have trouble keeping the van gassed up. Unless they've been blessed with an angel investor or rich parents, life on the road isn't financially sustainable. So they figure the Internet is the way to go. Them and about 15 million others. They try to get some blog attention. Maybe Pitchfork will pick them up as the flavor of the month. But then what? I still don't have any friends who listen to The Weeknd. Bands don't break through blogs.

Point is, it's hard out there for the little guys, the unknowns. And let's be honest, the trickle-down devaluation of music hasn't been much better for audiences than it has for bands. Sure we save a couple dollars, but the culture of one-hit-wonders, reality star divas, and the general cycle of crap that gets churned out by the pop culture machine has only worsened, thanks to musical Reaganomics. They say the customer is always right, but when the customer stops valuing the product, why bother investing in its production? Innovation dies in favor of the fast, the cheap and the guaranteed.

So pay for your music, boys and girls. Support the good stuff that's out there, and skip services like Spotify. We can't afford to live off candy bars forever.

Tuesday, December 13, 2011

好骚 [malaysia's answer to adele]



isn't that fabulous? her name is najwa.

好一个泪的小雨 [a little bit of blues]



one of the best arrangements by tay cher siang. the classic "rain of tears" being totally revamped with this bluesy feel. marvellous. you will find this song in winnie ho's album.

我最爱的编曲之一, 蓝调 blues, 好一个郑泽相, 把这麽经典的一首歌颠覆了。 收录在何芸妮专辑里的一首很棒的歌。

Monday, December 12, 2011

马六甲新闻报导 [press coverage on melaka concert]

【星洲】

 “靡靡之音”舊曲新唱‧為培中籌獲12萬

  • 飛躍集團執行董事陳俊豪(左起)、集團董事劉金山及巧盈慈善基金創辦人劉志強聯合移交12萬令吉捐款給培風董事長馮秋萍(右2)及校友會主席史進福。(圖:星洲日報)
1 of 5
(馬六甲8日訊)爵士音符跳動著配合爵士女伶呈獻中西混合口味的“靡靡之音”演唱會,為培風中學百年鵬飛基金籌募12萬令吉!

這場由“Pop Pop Music”呈獻的“靡靡之音”音樂饗宴是在貴都酒店舉行,由音樂總監鄭澤相帶領的WVC TRiO爵士樂隊、吉他指彈大師羅傑和爵士女伶何芸妮聯手呈獻鄧麗君的名曲,為鄧麗君的經典注入更年輕、西式及現代的音樂元素。

購票人士逾千
演唱會以一組培風中學學生合唱一小段《溫情滿人間》為開場,何芸妮接著演繹8首動聽鄧麗君曲子,帶觀眾進入鄧麗君歌曲的爵士世界,休息15分鐘後再進行下半段後,一口氣帶來10首耳熟能詳的鄧麗君歌曲,使演唱會劃上圓滿句號。


另外,鄭澤相本身也是培風中學校友,這次以音樂協助母校籌款更具意義,同時可讓古城樂迷欣賞鄧麗君舊曲新唱,而這場饗宴獲得許多熱愛華教人士支持,購票人士超過1千。

“靡靡之音”由飛躍集團及巧盈慈善基金贊助及包辦演唱會所有費用,全部門票收入悉數充作培風2013年百年校慶基金,以興建兩座綜合大樓之用途。

演唱曲目
上半場:溫情滿人間、淚的小雨、忘記他、風從哪裡來、一個小心願、雲河、南海姑娘、路邊的野花不要採
下半場:月亮代表我的心、千言萬語、月兒像檸檬、君心我心、初戀的地方、我只在乎你、月亮代表我的心、甜蜜蜜、再見我的愛心、世界多美麗(星洲日報/古城)


【南洋】

1000人聆赏旧曲新唱 门票收入12万元悉捐培中

  • 靡靡之音邓丽君旧曲新唱演唱会,主办单位移交12万令吉模型支票给培中冯秋苹及史进福,左起陈俊豪、刘金山及刘志强。
(马六甲8日讯)靡靡之音邓丽君之旧曲新唱演唱会于昨晚成功演岀,主办单位巧盈慈善基金及飞跃集团(Faithview)将门票收入(12万令吉),悉数捐给培风中学百年鹏飞发展基金。
这项活动是由飞跃集团及巧盈慈善基金主办,培风中学的培风百年鹏飞基金为受惠单位。

该集团董中拿督刘金山及执行董事陈俊豪,以及巧盈慈善基金负责人刘志强,联合移交模型支票给培中董事长冯秋苹及署理董事长,也是校友会主席史进福。

这项演唱会于昨晚在本地一家酒店举行,吸引近1000名听众,爵士女伶何芸妮,连同钢琴家,也是培中校友郑泽相及Roger Wang,以爵士乐重释邓丽君旧由,呈现别开生面的靡靡之音情怀。



演唱邓丽君经典名曲
当晚共演唱20首邓丽君的经典名曲,包括《月亮代表我的心》、《千言万语》及《甜蜜蜜》等,让听众听岀耳油,绕梁三日。靡靡之音邓丽君之旧曲新唱音乐会以爵士乐或Bossa Nova曲风为主,这类的音乐会是首次在甲州举行。

培风中学董事会总务曾昭明等也岀席。

巧盈慈善基金负责人为刘志强,是一名企业家,其妻子梁巧盈于今年9月20日清早准备前往尼泊尔旅行,在前往机场的高速大道不幸遇车祸逝世,为了纪念其妻子,特设立慈善基金会,昨晚也是首次发起慈善音乐会为培中筹款。

昨晚的门票收入悉数捐赠给他及妻子的母校培风中学,他承担所有音乐会的开销。

Friday, December 9, 2011

征服 [conquered]

 
a moment in history. "love is all around" (wen qing man ren jian) fittingly opened the curtains for "the jazzy sounds of teresa teng" in melaka. what a memorable night! 

 
super trio acting like in the poster


the clock was ticking 7:45pm yet the attendance is only 30%. wasn't there supposed to be 1,000 people coming, did they decide not to come? our sponsor, mr edmond, as well as yours truly, was getting a bit jittery. we just can't afford to have only 300 people in a 1000 capacity hall.

slowly and surely, the crowd built up steadily... from 30% to 40%, from 40% to 50%...... at about 8:15pm, the hall was already 80% filled. so we decided to start in another 10 minutes' time and surely the remaining 20% came in steadily..... and ladies and gentlemen, it was a full house at 8:25pm. 1,000 people. biggest ever chinese jazz concert in malaysia, we can safely bet on it.

the curtain raiser is our usual "love is all around" (wen qing man ren jian) but this time winnie is accompanied by pay foong school choir, making it all the more meaningful. to be absolutely frank, winnie, who was nursing a cold, was not in her top. she lost some sparkles in her top octave and she was not as agile on stage as she would like to be, but never mind, no one noticed that except those who have seen her in better days, like our andaman sponsor, who came all the way from kl and watching winnie for the third time in a roll. you are amazing, mrs teoh!

the first half was just good but it would be excellent had winnie not fallen sick. she has further improved on her body movement and gesturing, after a couple of dance classes.

edmond and myself were worried that some audience would leave after the intermission. but fortunately, only a few did and we retained more than 95% full in the 2nd half.

the 2nd half was a totally different story altogether with roger wang opening the curtain with his all-conquering guitar solo "the moon speaks for my heart". roger wang, the roger wang we know, is always perfect, faultless, calm and composed and he won the crowd again in melaka. winnie put her lethargy behind and came out for the 2nd half sounding freshier and livelier. her duet with roger wang on "a thousand words" was worth a million dollar.

another scorcher is her rendition of "i only care for you", which is simply the best in all the 3 concerts of teresa teng so far. unfortunately, the sound system didn't really cater to the back row's crowd, the sound extension didn't go that far as it was a huge hall. we will learned from this experience.  we should have added more speaker in the back rows. apologies to those who sat at the back.

the mass sing-along of "the moon speaks for my heart" was intentional  and the great response was expected so we are not surprised. what we think was the golden moment was when winnie dedicated "goodbye my love" to edmond's late wife, who died in an accident a month ago. winnie's speech was sensitive and touching, without mentioning the wife's name but many people would have guessed. winnie's singing, accompanied by solo piano from cher siang, made many people cried that night, including yours truly who sat at the console at the far end of the hall. it was a moment of true love. winnie's voice has a precious quality of heartfelt emotion and sensitivity, she is a true diva that has fully come of age.

mr. edmond was all relaxed after the show as he thinks we did well to justify the high ticket prices. he thinks our brand of chinese jazz is accessible to the layman on the street as can be seen from the largely appreciative crowd. many of them told us that they love winnie ho.

needless to say, 2v1g CDs were sold out on the night. the CD stall was having such brisk business that we regretted we didn't bring more.

we are grateful to edmond and his team of workers, who really worked hard to make sure that everything was covered. there is so much spirits of camaraderie in edmond's team and we can tell he is such a charismatic leader that commands respect.

we are grateful that melakans are such nice audience, well behaved and appreciative. and to top it all, they can sing well!

we are grateful for everything that  has been given to pop pop music in the year of 2011. we have a fabulous year, especially in the 2nd half. we witnessed the rise of winnie ho and tay cher siang to stardom, we witnessed the growth in supporter base, we witnessed the growth in sponsorship, we witnessed the improvement in production......

we can assure you that in 2012, if the end of the world doesn't come, pop pop music will rule the chinese jazz scene in malaysia with our packed schedule in 2012.


we hope all of you would be a part of this exciting revolutionary movement, never before seen in malaysia!       

Tuesday, December 6, 2011

千言万语 [a thousand words]

roger wang recording winnie ho's teresa teng "a thousand words" using a new super duper microphone a la 2v1g style in the ark studios this afternoon

马六甲歌迷, 何芸妮有【千言万语】和你诉说!


malaccan music lovers, winnie ho has a thousand words to confide in you!

蔡健雅的根源 [going back to her roots]




like stefanie sun and kit chan, tanya chua actually is english-educated and english-speaking (but as you know, lee kuan yew made the english-educated speak mandarin as well), and she is most comfortable singing english. but english market is not easy, so she has only released only 3 english albums so far, compared to the tonnes of chinese albums she did.

i bought both the new releases, an english one and a mandarin one, from taiwan and i can frankly tell you that i have banished the chinese one to some faraway hidden corner of my house, and just keeping the english one, which is the one we are recommending here.

what is great about this is, in composing and singing english songs, tanya can stick to what she loves most, that's indie pop and not conform/comply with the boring and suffocating ba-lak (ballad) formula demanded by chinese pop. so in a way, she is "liberated" when she sings and writes in english. 

to be frank, though immensely talented, tanya is not exactly original in her craft. she listens to too many western indie acts that influence her compositions greatly but what the heck, we still like what she writes. because no one writes like her (except liyana fizi), especially in chinese pop today.

tanya made a name in the chinese scene, and not the english scene for reasons obvious to many. she is totally unique in the chinese scene, but in the english scene, she has too many competitors la.

this album is good, we like it. comparable to liyana fizi's "between the lines" and much better than zee avi's "ghostbird". what tanya really lacks is a strong direction and of course, an international english label like zee avi's brushfire records.

among today's crop of chinese singer-songwriters, tanya chua ranks in our top-3 best after cheer chen and wu jia hui.

get this, you won't be disappointed.

Monday, December 5, 2011

马六甲,你好 [greetings, melaka]

have you bought susan wong yet (exclusive for CDRAMA)?
in about 48 hours' time, winnie ho, tay cher siang and roger wang are gonna thrill melaccans with their own brand of teresa teng...

our wishful thinking is that from now on, malaccans can appreciate that local talents can also deliver great music and they don't need to travel to genting highlands' arena of stars every time....

let's pray for the following:

1) good weather
2) full house!
3) great sound and light
4) superb performance from winnie ho, roger wang and wvc trio
5) audience well behaved
6) great CD sales
7) crowd's participation!

and lastly

8) our sponsors is gonna do another concert with pop pop music!

yay!

Sunday, December 4, 2011

花样年华报导 [Charity concert revives Chinese jazz classics from the ‘60s]

{article on the star dated 3rd dec 2011}

IT WAS a night of nostalgia when a retro jazz musical charity concert relived the mood for love of yesteryears.

Inspired by Hong Kong director Wong Kar Wai’s classic film, In the Mood for Love, the musical of the same name attempted to revive Chinese oldies from the 1960s.

Jazz songstress Lydia Chew gave a subtle introductory performance of the song titled My Glorious Years to begin the rendezvous at the Syuen Hotel in Ipoh last Friday.

Grand opening number: Chew singing subtly at the beginning of the musical.

Dressed in a tangy red tight-fitting cheongsam, she lifted the mood with her expressive voice telling the story of how a loving couple cherished their last date before separation through the song titled “Intoxicated in Your Embrace”.

Accompanied by virtuoso pianist Tay Cher Siang, who displayed his musical prowess by improvising the pop-jazz-styled Lover’s Tears, Chew sang her heart out to the fast-paced yet melancholic melody.

Tay and the other instrumentalists — a saxophonist, a double bass player and a drummer — left the audience spellbound by the mysterious and enigmatic Yumeji’s Theme. Chew later dedicated the song Forever Smile to her grandmother who was absent from the concert. “This song by Zhou Xuan is her favourite. As a child, my mother would coax me to sleep with the song, telling me that it is my grandmother’s favourite,” she said sentimentally
.

For a good cause: Teoh (fourth from right) presenting mock cheques to SJK(C) Sam Tet Board of Governors chairman Rev Father Liew (second from right) and Chan (third from right).

After a short break, “Bossa Princess” Z Yan made her appearance on stage and serenaded the audience with Autumnal Night performed in a classic bossa nova beat. Performing Teresa Teng’s I Only Care for You in her euphonious voice, Z Yan garnered rapturous applause from the crowd.

Chew once again hit the stage to duet with Z Yan on the number The Past Can Only Be Reminisced, closing the musical with a fantastic two-part harmony.

Organised by the Andaman Group, the concert raised a total of RM204,000 for SMJK Sam Tet and the John Moh Foundation.

The donations were handed out to the school’s board of governors chairman Rev Father Stephen Liew Khoay Siong and foundation president Chan Kam Leong by Andaman executive chairman Datuk Patrick Teoh.

我阿英個老婆 [remembering ricky hui]


picked this up in melaka and was mighty glad i did.

it may sound dated but how great the melodies remain. shame on the current crop of cantopop composers.

ricky hui is so plain but he is musical. when a singer is musical, you can forgive most weaknesses (much like lowell lo kun ting).

most of the songs are composed by brother samuel hui. you can treat this best of compilation as an extension of sam hui, albeit with a weaker voice.

we lived that era of golden cantopop and we cherish every moment. purely for old time's sake, this is a collector's item in every way.

do not apply if you are below 35 year-old.
 

Friday, December 2, 2011

马六甲, 你准备好吗? [the stage is set for the grandest concert in melaka]


have you been to melaka lately?

what do you notice on the streets? many buntings of "the jazzy sounds of teresa teng" concert!

we are so proud that the sponsor splurged so generously on A&P... now everyone in melaka knows about this event, the grandest ever chinese concert in melaka, so we were told.

this capacity (1,000 pax) is the grandest ever we have done, more than double of bentley. yeah, even jazz concert can command 1,000 people, wow wee!

many said it is impossible to command such a crowd and selling the tickets at this price, now our sponsor shows you that it can be done! power!

we want to do the best show ever for melaka, armed with experiences from the past 5 concerts. if we do well, we can expect there will be more, that's what our sponsor promised.

this is the 2nd repeat of jazzy teresa teng in 3 months, it is quite unbelievable. power.

we also hope to bring "in the mood for love" to melaka, now that it is proven to be a good production. there is a group of people who loves our stuff and wants to promote art and music in melaka. they admit that it is very tough in melaka, knowing how conservative they are but they think by working with us, they have a chance.

make no mistake, we are marching forward from strength to strength.